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A view from my old studio.

A gathering of my critics outside my old studio door making sure I would work.

Work in Progress

January, 2016

A new year brings new possibilities. Over the years I have been asked to do some sculptures of  Couples. This year is the year. In fact I have almost completed my first one. 


I thought I would do them as a Pinch Model series, that way without a lot of upfront money spent I can produce three or four new pieces for the galleries. If people like them and want larger ones in hot cast bronze, I can create them and have the money from the clients to pay for the foundry. If there is no interest in the series, or in larger ones, no big money lost. 

Having a good time on this series.


December, 2015

Finally success. Five new paintings completed, four from my National Parks trip and one from a trip several years ago in Bend, Oregon. 

November, 2015

The new studio is put together and I have started painting again. Thrown out the three I have been working on and starting over. Don't know why I  can't seem to finish a painting, but I have started again.

August, 2015

Decided to move back to the Portland area to be closer to our kids and grandkids. Moving the end of this month, so work has been put on hold. Good news is that my studio space has more than doubled and I can run out and within minutes buy art supplies I run out of instead of ordering them online and having to wait a week. looking forward to just  browsing in an art store again.

June, 2015

I am beginning work on some new paintings of my 2014 trip to the National Parks. Also with these works will be a new book of these paintings. I know, I am running behind, but I became so engrossed in the pinch models I lost time. But I am back to work.

April, 2015

Male Pinch Models:

This year I have decided to work on some small sculptures that I can also make the molds on and cast myself. These would be some of my "pinch models", which are quick 9" sculptures that I make and from these I make my larger pieces. The pinch models help me figure out the emotion and body position of the piece and also the wire and pipe structure I need to support the clay and the piece.

By nature these models are rough and very "chunky" and lack the final refinements and details of the finished piece. But I am fond of them because they are so explosive. In the past, I usually destroy the pinch models when I have completed the larger piece. No more.

I have made the first three male figures out of a series of maybe 6-10 figures, and my goal was to cast them myself in a marble like stone, with a small edition of 6 of each.

You know what they say about the best laid plans. Well, they are right.

I never have made my own mold and so hve never cast anything. I have made wax pieces from of my existing molds, but that's it.

First step is to make the rubber mold around the original clay piece. Piece of cake, I know what they are to look like and I use Smooth On Rebound 25 as suggested. I start by painting the rubber on, wait 90 mins, paint on another layer, wait 90 mins. then trowel on the next three layers (with  the 90 min wait between, a long day). And I decided to make all three molds at once ... save some time. 

Problem was, in the Youtube videos from Smooth On, they did not show me how to make the flanges wide enough and tight enough to hold the casting I poured. So after I made the outside Plasti-Paste mold around the rubber mold (another 1/2 day), I extracted the molds from the original and poured my first casting in silicon, just to make sure the molds held the detail. With the silicon they were perfect.

     

When I poured the final stone solution, the molds leaked like a sieve. And the powders I used did not look like marble, but bad plaster. 

Time to regroup and rethink this. I went back on Youtube and did some searching and found a couple of ladies in England that was using the same mold making products I am and they made a video showing how they did it. They used playing cards to make their flanges and legos to make their register pins. 

 

So, I started over,  on one this time, I think I am getting smarter. And it worked. But instead of a stone, what am I going to make the final cast out of? How about a cold cast bronze, or bonded bronze which will allow me to add patinas like my cast bronze pieces. 

I redid all of my molds and cast everything using Easy Flow Clear with bronze powder mixed in. Then I researched how to get a good patina on the pieces, and I found patina waxes. I did not want to work with chemicals like cupric nitra and liver of sulfur, and the waxes worked great. Instead of leaving the chemicals on for a few minutes, the waxes you leave on for at least an hour then rub off what you don't want. Over the bronze casting I rubbed on a black wax then a green wax over that. They look great. 

    "Inquisitive"         "Loosening Up"            "Success"

   

July, 2014

The Classic Elements:

I have completed all four Elements in this series; Water, Air, Earth and Fire.

On Saturday May 3, I unveiled the first of the Elements cast in bronze; Water as well as the others completed in clay.

Pre-cast prices for the individual pieces are $5500 ea. (except Water which is cast), retail will be $6000 ea. Each is a Limited Edition of 10. Life-size Bronzes of each are available Limited Edition of 2 each. Prices on request. Please email if you have questions or wish to order.



Water -Final Bronze

On the west, is the element of Water. I have tried to capture the qualities of Water: emotion, love and compassion by laying her down in a long, smooth textured, fluid pose, her hair winding under her and becoming the water gently flowing over and caressing the rocks beneath her. In the Greek and Christian beliefs she embodies the season of winter which I have depicted with her headband emblazoned with a snowflake. Water’s “tool” according to the Wicca and Christians is a cup which I have her holding and it has two dolphins which are her “animal” sign, and a water creature like her astrological sign of Pisces. Lastly, on her chest is her ancient “elemental symbol”, the triangle with the point down, or could it also be a chalice?


Fire - Final Clay with Patina Color
The opposite of Water on the eastern point of the compass is Fire. She is the opposite in every way. Fire is energy, passion, strength so I have her rising up as a warrior springing into action with her sword, her “tool” in the moment of attack. Her fiery personality is carried through with her spiked hair and active texture on her and the area engulfing her. Her headband carries the sun symbol, her season of summer. The elemental symbol is the triangle with the point up, the opposite of Water. Her sword handle carries the symbol of her astrological sign and “animal” Leo – the lion.


Air -Final Clay (detail) with Patina Color

Out of the north, is the element - Air. Not only the opposite in direction of Earth, but in all other qualities. She is rising up in freedom, creativity and intellect, and carrying her message and in her left upraised hand, is a bird her “animal”. She has a more youthful and open figure than Earth and on her headband is her season symbol of spring – a budding flower. The “tool” she carries is a light wand with the astrological symbol of Libra. Her elemental symbol, is the triangle with a line through it, but with the point up.


Earth - Under Construction with Patina Color
The south holds the element of Earth. Her qualities of order, stability and maturity are emphasized in a more curvaceous maternal body, seated on a globe holding court with her “tool”, a sturdy staff, and on the head of the staff is Taurus the bull, both astrology sign and “animal” symbol. Her headband prominently displays a leaf, as she is autumn. Proudly on her chest is the elemental symbol of a triangle- point down- and a line running through it.

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